'Photomontage.'
London: Thames and Hudson.
'Modern Welding.'
Illinois: The Goodheart-Willcox Co.
'The Collection of W.F.P. Burton.'
Johannesburg: University Art Galleries.
'The Empire Writes Back.'
London: Routledge.
'The Automatic Battlefield.'
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January 20: 10.
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St. Louis: Telos Press.
'Simulations.'
New York: Semiotics.
'The Coming of a Post-Industrial Society:
A Venture in Social Forecasting.'
New York: Basic Books.
'The Life of Henry Moore.'
London: Faber and Faber.
'Dictionary of Symbols.'
New York: Facts of Life.
'Judgement on Gotham.'
New York: DC Comics.
'The Intelligence War.'
London: Salamandar.
'Andries Botha.'
Durban: Catalogue, The Standard Bank Young Artist Award.
'Young Artists, Defiance Behind a Smiling Facade.'
In
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'Dogwatch.'
Sandton: Catalogue, The Goodman Gallery.
'Terminal Identity.
The Virtual Subject in Post-Modern Science Fiction.'
Durham: Duke University Press.
'Naked Lunch.'
London: Flamingo.
'Theories of Modern Art.'
Los Angeles: University of California Press.
'A Dictionary of Symbols.'
London: Thames and Hudson.
'The Predicament of Culture.'
Massachusetts: Harvard University Press.
'Waiting for the Barbarians.'
London: Penguin Books.
'Garry Hill. Beyond Babel.'
Amsterdam: Catalogue, Stedelijk Museum Amsterdam.
'Andy Warhol.'
London: Thames and Hudson.
'The science and practice of welding.
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London: Cambridge University Press.
'Second Variety.'
New York: Ballantine Books.
'Beyond the Barricades.'
Durham: Aperture in association with Documentary Studies,
Duke University.
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Middlesex: Penguin Books.
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New York: Abbeville Press.
'Philisophical Foundations of Cybernetics.'
Kent: Abacus Press.
'Bionica. Schakel tussen bioloog en ingenieur'
The Netherlands: Wereldakademie, Meulenhoff en De Haan.
'William Kentridge. Drawings and Projections.'
Sandton: The Goodman Gallery.
'The Transported: A South African Odyssey.'
Durham: Aperture in association with Documentary Studies,
Duke University.
'Illuminating Video. An Essetial Guide to Video Art.'
Durham: Aperture in association with the Bay Area Video Coalition,
New York: Aperture Foundation.
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London: The Academy Group.
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Johannesburg: Macmillan South Africa.
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Cambridge, Massachusetts: The MIT Press.
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Pretoria: Pamphlet, ISCOR Market Development.
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'Introduction'
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Parklands: A.D. Donker.
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Durham: Duke University Press.
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London: Abacus.
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'Letters of Marshall McLuhan.'
Toronto: Oxford University Press.
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London: Penguin Books.
'Picasso Cubism (1907-1917).'
New York: Rizzoli.
'Lost Magic Kingdoms and
Six Paper Moons From Nahuatl.'
London: British Museum Publications.
'Bill Viola: Unseen Images.'
London: Catalogue, The Whitechapel Art Gallery.
'The Soft Machine: Cybernetic Fiction.'
New York: Methuen Inc.
'Nadir: A Graphic Interpretation of Dispossession
and Aspects of Conflict.'
Cape Town: University of Cape Town.
'Modern Sculpture: A Concise History.'
London: Thames and Hudson.
'Rauschenberg.'
New York: Random House.
'Cybernetics: Machines That Make Decisions.'
London: Collins Publishers.
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London: Thames and Hudson.
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California: Wadsworth Publishing Company.
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'Constantin Brancusi.'
New York: Abbeville Press.
'Modern Conditions, Postmodern Controversies.'
London: Routledge.
'The Political Mythology of Apartheid.'
New Haven: Yale University Press.
'The Cybernetic Imagination in Science Fiction.'
Massachusetts: The MIT Press.
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The Netherlands: Holst Memorial Lecture,
Technische Hogeschool Eindhoven.
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London: The South Bank Centre.
'The Human Use of Human Beings,
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New York: Avon Books.
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Cape Town: David Philip.
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London: Rivers Oram Press.
'Virtual Worlds.'
London: Penguin Books.
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London: Thames and Hudson.
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Cape Town: Catalogue, The Standard Bank Young Artist Award.
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